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                    <text>atlanta
civic
design
commission
j oseph s. perrin , ch a irm an
paul muld awe r, a .i .a. 1 vice -ch airm an
mrs . alv in m. fe rst , secretary
ha rry j . b a ldwin , a.s. l.a .
w. I. ca llo wa y
samue l in man cooper, f. a. i .a.
james h . d odd
frank lin m. garre tt
john c . g o u ld
juli an ha rri s, a . i. a .
m rs . ed ith henders on, a .s. I.a .
h. kin g me c ain, p .e .
j . b e n moore
john portman , a. i. a.
jo s ep h b . b rowder , p .e .
De c emb e r
7, 196 7
Honora ble Ivan All en, J r.
May or
City of At la n ta
De a r
Mr. Mayor :
Included with this not e is the r e port on th e De sign ( CQmmun i ty
I mprove rren t P rogram - City of Atla nta, Ge or gia ) a b out wh i ch we
sp ke in your offic e last wee k.
As y ou c an s ee , this rep ort wa s
re nd e r e d by th e C mmission to Mr. Co l l i e r Gladin on Jun e 1 f
thi s year .
Ch a rl tt e Fe rst a nd John P ortman Join with me in e xpr e ssin g t o
you f r the Commi ssi o n a pp re ciation f or y ur i n t e r e st a nd i n s ig h t s
whic h yo u we r e g o d e nou g h to sha r e wi th us durin g our inf o rmal
cha t , a nd we ad d to t hese se nti me nt s t he v e r y b e st of g oo d wi s h es
for t he holid ay s ea son.
eph S . Perr i n, Cha i rman
ANTA CIVIC DES I GN CO MMI SS I ON
J SP : ab
E ncl .
city hallpatlanta pgeorgia 30303
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              <text>joseph s. perrin, chairman

at la nta paul muldawer, a.i.a., vice-chairman
mrs, alvin m. ferst, secretary

a a , rn
harry j. baldwin, a.s.l.a.
C iViIC w. |. calloway
samuel inman cooper, f.a.i.a.

a james h. dodd
franklin m. garrett

john c. gould

julian harris, a.i.a.

a a mrs. edith henderson, a.s.l.a.
commission eat
j. ben moore

john portman, a.i.a.

joseph b. browder, p.e.

December 7, 1967

Honerable Ivan Allen, Jr.
May or
City of Atlanta

Dear Mr. Mayer:

Included with this note is the report on the Design (Community
Improvement Pregram - City of Atlanta, Georgia) about which we
speke in your office last week, As you can see, this report was
rendered by the Commissien to Mr. Collier Gladin on June l of

this year.

Charlette Ferst and John Portman join with me in expressing te

you fer the Commission appreciatien for your interest and insights
which yeu were geed eneugh te share with us during eur infermal
chat, and we add to these sentiments the very best of good wishes

for the holiday season,
Cerdially yours,
Joseph S, Perrin, Chairman
ATLANTA CIVIC DESIGN COMMISSION

JSP:ab

Enel.

city hall, atlanta,georgia 30303
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                    <text>December 18, 1967 .
RESOLUTION TO THE BOARD OF ALDERMEN • CITY OF ATLANTA
PASSED BY THE ATLANTA CIVIC DESIGN COMMISSION ON DECEMBER lu., 1967
RE:
ARBORIS T FOR THE CI 'TY OF ATLANTA
"THE CIVIC DESIGN COMMISSION URGES THE ALDERMANIC BOARD TO PUT
THE TREE ORDINANCE INTO EFFECT AS QUICKLY AS POSSIBLE FOR THE
GOOD OF THE CITY BY THE IMMEDIATE APPOINTMBNT OF AN ARBORIST.
THE COMMISSION SUGGESTS THAT THE ARBORIST BE A LANDSCAPE ARCHITECT, WHO WOULD NOT ONLY BE TRAINED IN THE UN ~ERSTANDING OF
GRADES AND DRAINAGE BUT ALSO IN DESIGN FORMS AND PLANT MATERIAL·.
DELAY WILL UNDOUBTEDLY LEAD TO MISU NDERSTANDING AND WEAKENING
OF THE INTERPRETATION OF THE O.iDINANCE, ~EREAS THIS PARTICULAR
ORDINANCE IS AN OUTSTANDING ONE WHICH WILL BE OF UNTOLD FUTURE
VALUE TO THE GRO WTH OF THE CITY,"
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              <text>December 18, 1967

RESOLUTION TO THE BOARD OF ALDERMEN ~ CITY OF ATLANTA
PASSED BY THE ATLANTA CIVIC DESIGN COMMISSION ON DECEMBER 14, 1967

RE: ARBORIST FOR THE CITY OF ATLANTA

"THE CIVIC DESIGN COMMISSION URGES THE ALDERMANIC BOARD TO PUT
THE TREE ORDINANCE INTO EFFECT AS QUICKLY AS POSSIBLE FOR THE
GOOD OF THE CITY BY THE IMMEDIATE APPOINTMENT OF AN ARBORIST,
THE COMMISSION SUGGESTS THAT THE ARBORIST BE A LANDSCAPE ARCHI-
TECT, WHO WOULD NOT ONLY BE TRAINED IN THE UNTERSTANDING OF
GRADES AND DRAINAGE BUT ALSO IN DESIGN FORMS AND PLANT MATERIAL,
DELAY WILL UNDOUBTEDLY LEAD TO MISUNDERSTANDING AND WEAKENING

OF THE INTERPRETATION OF THE ORDINANCE, ‘HEREAS THIS PARTICULAR
ORDINANCE IS AN OUTSTANDING ONE WHICH WILL BE OF UNTOLD FUTURE
VALUE TO THE GROWTH OF THE CITY,"
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                    <text>December 28 , 1961
MEMORANDUM
TO
FROM





Joe Perrin, Chairman, Atlanta
Civic Design Commission
Ivan Allen , Jr .
As you know, Mr. Samuel Inman Cooper's architectural firm
ha received the contract from the City of Atlanta for the
renovation of the Aldermanic chamber •
I would like to suggest to the Atlanta Civic De ign Commi ion
that you recommend an appropriate di play are in the chamber
for the many portr its of former mayor which are now hangin
on the fir t floor and in ome of the committee room •
May I al o suggest th t consider tion be given to the renovation
of the e portr it , which may not be arti tic lly well done in
your opinion, but are an important part of th city' bi tory.
Further thought may al o b given to having portrait commissioned
of those mayor's not pre ntly painted.
I would appreciate receiving your view on th ae subjects.
IAJr:am
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              <text>December 28, 1967

MEMORANDUM

TO : Joe Perrin, Chairman, Atlanta
Civic Design Commission

FROM : Ivan Allen, Jr.

As you know, Mr. Samuel Inman Cooper's architectural firm
has received the contract from the City of Atlanta for the
renovation of the Aldermanic chambers.

I would like to suggest to the Atlanta Civic Design Commission
that you recommend an appropriate display area in the chambers
for the many portraits of former mayors which are now hanging

_ on the first floor and in some of the committee rooms.

May I also suggest that consideration be given to the renovation
of these portraits, which may not be artistically well done in
your opinion, but are an important part of the city's history.

Further thought may also be given to having portraits commissioned
of those mayor's not presently painted.

I would appreciate receiving your views on these subjects.

IAJr:am

 
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                    <text>·'
I(
·"Cover&amp; Di.xie Like ·tM Dew"
Since 1883
Jack Tarver, President
Jack Spaiding, Editor
•
EDITORIALS
24
OCTOBER 24, 1966
ATLANTA D0WN UNDER
They Can Hear the Old Rinky-Tink Now
By REESE CLEGHORN
THE IDEA of reviving Atlanta's deserted underground streets,
haunting reminders of hqw the city was a century ago, has
been moving some imaginations.
Here is where we left that subject (a flashback, in the style of the old flicks):
Under Alabama Street, an older Alabama
Street exists. At least two and perhaps four
blocks of it, with original street-level store
fronts, livery stables and saloons, is regarded
as reclaimable, along with some of the side
streets.
It is possible to enter this part of "underground Atlanta" from the present Alabama
Street, though all is now dark and forbidding, used mainly by
trucks for deliveries to below-street-level entrances of Alabama Street buildings.
Still, on that underground Alabama Street you may see,
at No. 38, a gilded inscription indicating the Lowry Bank, founded in 1861, and across the street from it is the stone arch that
once marked the entrance to one of the meat packers of Packinghouse Row. The Atlanta Chamber of Commerce held forth
at No. 44, and at No. 69 people reveled at Paul Hentschel's
Saloon.
So much for the scene.
• • •
A MONTH AGO, when I wrote about the possibility that
this and perhaps other parts of "underground Atlanta" might
be carefully re-created in the style of earlier days, the whole
thing was only an idea in a few heads.
The Civic Design Commission had been looking into the
possibilities. What appeared in print about the idea moved a
good many people to call Paul Muldawer, a young architect
who is on the commission, to express enthusiastic interest. He
welcomes such calls. And he now reports that he and others
of the commission have been moving along with more explorations of the prospects.
I also have had many responses, and that suggests to me
that the idea would be a popular one and a re-creation of the
old Atlanta would draw plenty of customers. Among those who
have reacted happily to the idea are the people at the Atlanta
Convention Bureau, who obviously would have something very
unusual to tell our visitors about.
• • •
SO A SMALL LIST is now being compiled by Mr. Muldawer
indicating who thinks what about this still-aborning idea:
One caller would like to put in a night club and lounge In
the 19th century decor, if other entrepreneurs would join him
down under; and now there also is a suggestion that an old
locomotive (or the dining car of an old train) be rolled down
the tracks that still exist and placed within reach of the visitors.
Mr. Hugh Starr has called me and told of a rare collection
which I did not know existed. Mr. Starr for many years has
been collecting old mechanical music devices. He has more
than 50, most of them large and valuable.
One, for instance, is a seven-feet-tall mechanical organ with
256 pipes, vintage 1910, which bursts into a frenzy of " Let Me
Call You Sweetheart" when Mr. Starr flicks it on.
There is an old band organ that whips out "Old McDonald"
on 13 brass trumpets, 98 wooden pipes, a bass drum, a snare
drum and a cymbal, all of it a veritable cacaphonic extravaganza of early automation. (Hear! hear!)













..MR. STARR'S COLLECTION also includes a player piano
that has eight separate slots for nickels (apparently so that
one's enjoyment could be prolonged without the necessity of
leaving the bar); a genuine Violano-Virtuoso, circa 1912, which
combines violin and piano music in a mechanical rhapsody;
and, sir, a band organ that plays a continuous r oll of music
650 feet Jong.
Now: Mr. Starr is pondering whether a revived " underground ·Atlanta" might have room for a museum of old musical
instrument curiosities.
An even more obvious entry might be a drug store of
early vintage, perhaps equipped with the paraphernalia of the
early soft-drink industry in Atlanta. I shall not mention any
commercial names here (other than that of the late ViolanoVirtuoso company), but there is one firm in town that does, in
fact, spring to mind.
Minds are beginning to whir on all such dazzling prospects.
In fact, some people are even said to be hearing the faint, ghostly notes of a rinky-tink.
• • •
MEANWllILE, THERE IS only one bit of discouragement.
The Metropolitan Atlanta Rapid Transit Authority has been
eyeing our underground city with an undisguised hankering. It
thinks it might like to place the downtown Transit Center (meeting place of the north-south and east-west subway lines) in
"underground Atlanta." It, too, is studying the area.
But there is a large area in this underground city; and the
only part of it which is being considered for a revival of the
past is the short stretch under Alabama Street. Certainly it
would be a shame, and perhaps it would be a kind of disaster,
if that area had to be sacrificed to rapid transit.
Anyone who has a serious interest in all this should make
himself heard. This part of Atlanta's heritage is too good
to lose to disinterest and the march of the great giant Progress.
�</text>
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              <text>Atlawia Dor

“Covers Dixie Like the Dew”
Since 1883

Jack Tarver, President ©

Jack Spalding, Editor

 

EDITORIALS

24

OCTOBER 24, 1966

 

ATLANTA DOWN UNDER

 

They Can Hear the Old Rinky-Tink Now

By REESE CLEGHORN

THE IDEA of reviving Atlanta’s deserted underground streets,
haunting reminders of how the city was a century ago, has
been moving some imaginations.

Here is where we left that subject (a flash-
back, in the style of the old flicks):

Under Alabama Street, an older Alabama
Street exists. At least two and perhaps four
blocks of it, with original street-level store /
fronts, livery stables and saloons, is regarded \
as reclaimable, along with some of the side
streets.

It is possible to enter this part of “‘under-
ground Atlanta” from the present Alabama
Street, though all is now dark and forbidding, used mainly by
trucks for deliveries to below-street-level entrances of Ala-
bama Street buildings,

Still, on that underground Alabama Street you may see,
at No. 38, a gilded inscription indicating the Lowry Bank, found-
ed in 1861, and across the street from it is the stone arch that
once marked the entrance to one of the meat packers of Pack-
inghouse Row. The Atlanta Chamber of Commerce held forth
at No. 44, and at No. 69 people reveled at Paul Hentschel’s
Saloon.

So much for the scene.

= * *

A MONTH AGO, when I wrote about the possibility that
this and perhaps other parts of “underground Atlanta” might
be carefully re-created in the style of earlier days, the whole
thing was only an idea in a few heads.

The Civic Design Commission had been looking into the
possibilities. What appeared in print about the idea moved a
good many people to call Paul Muldawer, a young architect
who is on the commission, to express enthusiastic interest. He
welcomes such calls. And he now reports that he and others
of the commission have been moving along with more explora-
tions of the prospects.

I also have had many responses, and that suggests to me
that the idea would be a popular one and a re-creation of the
old Atlanta would draw plenty of customers. Among those who
have reacted happily to the idea are the people at the Atlanta
Convention Bureau, who obviously would have something very
unusual to tell our visitors about.

“ *, *

SO A SMALL LIST is now being compiled by Mr. Muldawer
indicating who thinks what about this still-aborning idea:

One caller would like to put in a night club and lounge in
the 19th century decor, if other entrepreneurs would join him
down under; and now there also is a suggestion that an old

s "

locomotive (or the dining car of an old train) be rolled down :
the tracks that still exist and placed within reach of the visitors,

Mr. Hugh Starr has called me and told of a rare collection
which I did not know existed. Mr, Starr for many years has
been collecting old mechanical music devices. He has more
than 50, most of them large and valuable.

One, for instance, is a seven-feet-tall mechanical organ with
256 pipes, vintage 1910, which bursts into a frenzy of “Let Me
Call You Sweetheart” when Mr. Starr flicks it on.

There is an old band organ that whips out “Old McDonald”
on 13 brass trumpets, 98 wooden pipes, a bass drum, a snare
drum and a cymbal, all of it a veritable cacaphonic extrava-
ganza of early automation. (Hear! hear!)

* * ae

MR. STARR’S COLLECTION also includes a player piano
that has eight separate slots for nickels (apparently so that
one’s enjoyment could be prolonged without the necessity of
leaving the bar); a genuine Violano-Virtuoso, circa 1912, which
combines violin and piano musie in a mechanical rhapsody;
and, sir, a band organ that plays a continuous roll of music
650 feet long.

Now: Mr. Starr is pondering whether a revived ‘‘under-
ground Atlanta’ might have room for a museum of old musical
instrument curiosities.

An even more obvious entry might be a drug store of
early vintage, perhaps equipped with the paraphernalia of the
early soft-drink industry in Atlanta, I shall not mention any
commercial names here (other than that of the late Violano-
Virtuoso company), but there is one firm in town that does, in
fact, spring to mind.

Minds are beginning to whir on all such dazzling prospects.
In fact, some people are even said to be hearing the faint, ghost-
ly notes of a rinky-tink.

+ * *

MEANWHILE, THERE IS only one bit of discouragement.
The Metropolitan Atlanta Rapid Transit Authority has been
eyeing our underground city with an undisguised hankering. It
thinks it might like to place the downtown Transit Center (meet-
ing place of the north-south and east-west subway lines) in
“underground Atlanta.’’ It, too, is studying the area.

But there is a large area in this underground city; and the
only part of it which is being considered for a revival of the
past is the short stretch under Alabama Street. Certainly it
would be a shame, and perhaps it would be a kind of disaster,
if that area had to be sacrificed to rapid transit.

Anyone who has a serious interest in all this should make
himself heard. This part of Atlanta’s heritage is too good
to lose to disinterest and the march of the great giant Progress.

4

 
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                    <text>Wl)tAlhmfa Journal
"Covers Dixie Like the Dew"
Since 1883
Jock Tarver, President
•
Jack Spalding, Editor
20- -
ED1TORIALS
SEPTEMBER 21, 1966\ _
___,
OUR UNDERGROUND CITY
Will Ghost Streets of Atlanta live Again?
By REESE CLEGHORN
ATLANTA'S name was changed in 1844 from Terminus to
Marthasville. But you may still take a train to Terminus.
In fact, you may walk to it.
The center of Terminus exists under the
Central A venue Viaduct in Atlanta. It is a stone
marker a couple of feet high, with the chiseled
notation "W &amp; A R.R. , 0 O." This is the Zero
Mile Post, and it was put into the ground in
1842 as the first of a series of mU.e posts marking the route of a new railroad b, tween Atlanta
and Chattanooga.
But this was not Atlanta. It was Terminus,
because this was the end of the line, and the
city was nothing much then except the end of the new railroad
line.


 * *


trucks roll daily, delivering to underground entrances of buildings that rise over the older structures. Many of the old stores
are now siborage places. On some parts of the underground
streets, light shines through; other parts are dark.
When the first Broad Street overpass was constructed in
1852, part of the older Atlanta was submerged. When-the Spring
Street overpass was finished in 1922, Underground Atlanta grew
again. This building-over process is still being regularly repeated.
Walk along the older Alabama Street and at No. 38 you
may see a gilded inscription indicating the Lowry Bank, which
was founded in 1861.
At No. 44 on this old Alabama Street, in the 1870s, the Atlanta Chamber of Commerce was busy, no doubt with an early
Forward Atlanta program. At No. 69 people were more relaxed :
This was Paul Hentschel's Saloon.
IT WOULD BE difficult to find anything that means as


 * *


much in Atlanta's history as this marker. It designated the ter- ..
ACROSS FROM Mr. Lowry's private bank, ornamental
mination that gave us the city's first name. And on it are the
posts stand alongside the stone arch marking the entrance to
initials that gave us the word " Atlanta," derived from the one of the meat packers of Packinghouse Row.
name of the state-owned Western &amp; Atlantic Railroad.
(Gisell Sieburth wrote about these and other buildings
ln December of 1842 crowds came to see the first locomo- whose history she had traced, in the Journal-Constitution Magative move over the tracks, and that may have been the real
zine last December.)
beginning of Atlanta, because the city grew first as a transCan the dark rooms behind ornat e old Victorian-style posts
portation center.
be turned into new restaurants, with some old-style furnish·
ings? Can there be restoration of painted glass now removed,
In the dim light under the viaduct, and near the tracks, with- and refurbishing of cast-iron fronts? Will Paul Hentschel's SaIn a fenced enclosure, you may see the Zero Mile Post where loon swing again?
it all started.
That is what is on the minds of some of those now con"' * "'
templa ting this germ of an idea. They think there may be a
THIS IS ONE P ART of Underground Atlanta. There ls much
chance to convert several underground blocks into a popular
more, because this is a city that was built in layers. Now our center of restaurants, galleries, night spots and shops, all in
new Civic Design Commission has begun a serious inquiry into the style of the old Atlanta.
possibilities of bringing to life the old city underneath.


 "' "'


So far this is just an idea. The commission wants to deterTHERE IS ROOM for an impressive entranceway at one
mine the feasibility for use of Underground Atlanta as an en- point on the present Alabama Street, where stairs and planted
tertainment area. This may depend upon the willingness of the landings might lead the visit.ors int.o the old city. Could there
property owners and the interest of the public.
be a horse-and-buggy shuttle service waiting below, to take
Under Alabama Street is an older Alabama Street, an ol!}er people on the original cobblestone streets, under gas lights, to
city. At least two and perhaps four blocks of it, with origitial
their destinations?
street-level store fronts, livery stables and saloons, might be reA committee of the Civic Design Commission wants to
claimed, along with some of the side streets.
find out. Paul Muldawer, an architect who is a member of IJhe
committee, believes all this may be feasible-if there is public


 * *


TIIlS AREA, like a number of other segments ef the older response to the idea. He hopes to hear.
city under other streets and viadu0t$, can be easily reached
" Every city needs something people will point to as truly
and, in fact, is still in use. On many of these dead streets
unique," he said, " and for Atlanta this could be it."
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              <text>“Covers Dixie Like the Dew”
Since 1883

Jack Tarver, President

&gt; EDITORIALS
OUR UNDERGROUND CITY

° Jack Spalding, Editor

20

"SEPTEMBER 21, 1966) -

Will Ghost Streets of Atlanta Live Again? ‘

By REESE CLEGHORN

ATLANTA'S name was changed in 1844 from Terminus to
Marthasville. But you may still take a train to Terminus.
In fact, you may walk to it.
The center of Terminus exists under the
Central Avenue Viaduct in Atlanta. It is a stone
marker a couple of feet high, with the chiseled
notation “W &amp; A R.R., O 0.” This is the Zero
Mile Post, and it was put into the ground in -%
1842 as the first of a series of mile posts mark- \‘:
ing the route of a new railroad between Atlanta
and Chattanooga.
But this was not Atlanta. It was Terminus,
because this was the end of the line, and the
So was nothing much then except the end of the new railroad
Ine.
He * Eg

IT WOULD BE difficult to find anything that means as.

much in Atlanta’s history as this marker. It designated the ter- .

mination that gave us the city’s first name. And on it are the
initials that gave us the word ‘“‘Atlanta,” derived from the
name of the state-owned Western &amp; Atlantic Railroad.

In December of 1842 crowds came to see the first locomo-
tive move over the tracks, and that may have been the real
beginning of Atlanta, because the city grew first as a trans-
portation center.

In the dim light under the viaduct, and near the tracks, with-
in a fenced enclosure, you may see the Zero Mile Post where
it all started.

cd Ed ae

THIS IS ONE PART of Underground Atlanta. There is much
more, because this is a city that was built in layers. Now our
new Civic Design Commission has begun a serious inquiry into
possibilities of bringing to life the old city underneath.

So far this is just an idea. The commission wants to deter-
mine the feasibility for use of Underground Atlanta as an en-
tertainment area. This may depend upon the willingness of the
property owners and the interest of the public.

Under Alabama Street is an older Alabama Street, an older
city. At least two and perhaps four blocks of it, with original
street-level store fronts, livery stables and saloons, might be re-
claimed, along with some of the side streets.

* * ae

THIS AREA, like a number of other segments of the older
city under other streets and viaducts, can be easily reached
and, in fact, is still in use. On many of these dead streets

trucks roll daily, delivering to underground entrances of build-
ings that rise over the older structures. Many of the old stores
are now storage places. On some parts of the underground
streets, light shines through; other parts are dark.

When the first Broad Street overpass was constructed in
1852, part of the older Atlanta was submerged. When the Spring
Street overpass was finished in 1922, Underground Atlanta grew
again. This building-over process is still being regularly re-
peated.

Walk along the older Alabama Street and at No. 38 you
may see a gilded inscription indicating the Lowry Bank, which
was founded in 1861.

At No. 44 on this old Alabama Street, in the 1870s, the At-
Janta Chamber of Commerce was busy, no doubt with an early
Forward Atlanta program. At No. 69 people were more relaxed:
This was Paul Hentschel’s Saloon.

ae ae ae

ACROSS FROM Mr. Lowry’s private bank, ornamental
posts stand alongside the stone arch marking the entrance te
one of the meat packers of Packinghouse Row.

(Gisell Sieburth wrote about these and other buildings
whose history she had traced, in the Journal-Constitution Maga-
zine last December.)

Can the dark rooms behind ornate old Victorian-style posts
be turned into new restaurants, with some old-style furnish-
ings? Can there be restoration of painted glass now removed,
and refurbishing of cast-iron fronts? Will Paul Hentschel’s Sa-
loon swing again?

That is what is on the minds of some of those now con-
templating this germ of an idea. They think there may be a
chance to convert several underground blocks into a popular
center of restaurants, galleries, night spots and shops, all in '
the style of the old Atlanta.

a a

THERE IS ROOM for an impressive entranceway at one
point on the present Alabama Street, where stairs and planted
landings might lead the visitors into the old city. Could there
be a horse-and-buggy shuttle service waiting below, to take
people on the original cobblestone streets, under gas lights, to
their destinations?

A committee of the Civic Design Commission wants to
find out. Paul Muldawer, an architect who is a member of the
committee, believes all this may be feasible—if there is public
response to the idea. He hopes to hear.

“Every city needs something people will point to as truly
unique,” he said, “and for Atlanta this could he it.”

 
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                    <text>CLASS OF SERVICE
T his is a fast m essage
unless its deferred char.actcr is indicated by t h e
p roper symbol.
WESTERN U ION
W . P. MARSHALL
C H A I R MAN O F T H E B OAR D
TELEGRA
®
SYMBOLS
DL = Day Lener
.NL =Night Lctret
LT _ lnternatio,n a l
- Letter T elcgram
t32P EDT SEP ts 67 ACt68
A LLX129 PO 1 EXTRA ATLANTA GA 18 105P EDT
EARL LAIDERS, DLR BEFORE 2PM
ASST TO THE MAYOR CITY HALL ATLA
THE ATLANTA CIVIC DESIGN COMMISSION URGES THE TABLING OF PROPOSED
ORDINANCE RESTRICTING XRIOGES AN) SIMILAR STRUCTURES. IT IS
THE UNANIMOUS OPINION OF THE COMMISSION THAT ANY POLICIES FOR
ANY ORDINANCE RELATIN3 TO THE MATTER SHOULD BE STRUCTURED WITH
GREAT DELIBERATION ANO PROVIDE MAXIMUM FLEXIBILITY SO AS TO
MEET THE CHAN8IN8 NEEDS OF A OHA~IM3 eITY•
JOSEPHS PERRIN CHAIRMAN ATLANTA CIVIC OESIQN COMMISSION
(29).
SF120l(R2-65)
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              <text> 

Cass OF SERVICE i SYMBOLS ‘
This is a fast message 4 DL=Day Letter
unless its deferred char- 2 NL=Ni ghe Letter

acter is indicated by the W. P. MARSHALL TE LE¢ ; R A R. W,.McFALL ; aaa
nternational
proper symbol. CHAIRMAN OF THE BOARD RESIDENT LT= Saltervenianelesrrata

The filing time shown in the date line on domestic telegrams is LOCAL TIME at point of originf Timp of receipt is LOCAL TIME at point of destination

 

 

 

 

    

932P EDT SEP 48 67 ACI68

A LLX4929 PD 4 EXTRA ATLANTA GA 18 105 EDT
EARL LANDERS, DLR BEFORE 2PM

ASST TO THE MAYOR CITY HALL ATLA
THE ATLANTA CIVIC DESIGN COMMISSION URGES THE TABLING OF PROPOSED
ORDINANCE RESTRICTING XRIDGES AND SIMILAR STRUCTURES. IT IS
THE UNANIMOUS OPINION OF THE COMMISSION THAT ANY POLICIES FOR
ANY ORDINANCE RELATING TO THE MATTER SHOULD BE STRUCTURED WITH
GREAT DELIBERATION AND PROVIDE MAXIMUM FLEXIBILITY SO AS TO
MEET THE CHANGING NEEDS OF A CHANGING CITY.

JOSEPH S$ PERRIN CHAIRMAN ATLANTA CIVIC DESIGN COMMISSION

(29)

SF1201(R2-65)
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                    <text>)&gt;fr ;:::
TO:
FROM:
ROUTE
SLIP
~==
Ivan Allen, Jr.
D
For your information
D
Please refer to the attached correspondence and make the
necessary reply.
0
FORM 25-4
Advise me the status of the attached.
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              <text>TO:

Ce Bak

Office of tbe Mayor

ROUTE SLIP

FROM: Ivan Allen, Jr.

)

CO

For your information

Please refer to the attached correspondence and make the

necessary reply.

Advise me the status of the attached.

 

 

 

 

 

 

 

 

FORM 25-4
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                    <text>THE NEXT REGULAR MEETING OF THE ATL AN TA CIVIC DESIGN
COMMISSION WILL BE HELD AT 2 P. M., THURSDAY, APRIL 21,
ON THE SECOND FLOOR OF CITY HALL.
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              <text>THE NEXT REGULAR MEETING OF THE ATLANTA CIVIC DESIGN
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ON THE SECOND FLOOR OF CITY HALL.
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                    <text>~
ROUTE
~
TO:
FROM:
Ivan Allen, Jr.
~
your information
D
SLIP
Please refer to the attached correspondence and make the
necessary reply.
D
Advise me the status of the attached.
I
FORM 25-4
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              <text>Office of the Mayor

ROUTE SLIP
TO: fJ —pitice
CC

FROM: Ivan Allen, Jr.

W&lt;or your information

L_] Please refer to the attached correspondence and make the

necessary reply.

(_] Advise me the status of the attached.

 

 

 

ALE

 

 

 

 

 

FORM 25-4
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                    <text>T
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&amp;

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MARIETTA.
GARAGE
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MARIETTA. (PARKING AVAILABLE IN THE GLENN BLDG.

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