2 20 61 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/ed13735dfae0d8d0c70c60b6c94b95df.pdf 8d100f5f33916e24af66d5bcf17e5bd0 Scripto Transcription A written representation of a document. TELEPHONE CALL IN SHOW ON VITAL ISSUES 475 Riverside Drive, Suite 420, New York, New York 10027 Telephone: 2121663-8900 ROLE OF THE GUEST ON NIGHT CALL The basic idea of NIGHT CALL is to get callers and the guest into down-to-earth dialogue in a way that helps the audience participate in the discovery of new information, new ideas, new understandings. The role of the guest is dual: 1. At the beginning of the program the guest enters into a brief and informal conversation with the host, Del Shields, to sharply focus and clarify important points. Because this section sets the give-and-take pattern of question and answer for the entire show, it is essential that this be an exchange between the guest and host, not a capsule swmnary of points by the guest. The key word in the NIGHT CALL idea is the word "Conversation." 2. The next step comes four or five minutes into the show when the host takes the first call. The caller puts his question or cormnent directly to the guest. Here again the idea is an exchange between caller and guest. If the guest keeps his answers short and sharply focused, the caller can respond with new questions and ideas. Thus, we begin to achieve what the audience is really looking for -- the chance to hear an average person putting his questions, coiunents and concerns to the expert, almost as in normal face-to-face conversation. Some guests, fearing important points will be overlooked, tend to unwrap several ideas at a time in the early part of the show. We have found that audience interest and caller response is much higher when the guest deals with one idea at a time. The natural progression of the show soon moves us on to new ideas . At thr ee poin ts in the program - - every 15 minutes - - there is a break for station identificatfon. The guest stays on the line during these breaks. Released in cooperation with the B roadcasting and Film Commission, National Council of Church es, and the Nation al Catholic Office for Radio and Tel evision (NCO RT) Produced by_TRAFCO/Te levisio n, Rad io and Fi lm Comm ission of The Un ited Methodist Churc h, Harry C. Spence r, General Secretary , � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Mm Lith ee TELEPHONE CALL IN SHOW ON VITAL ISSUES NELSON PRICE, Executive Producer BEN LOGAN, Producer 475 Riverside Drive, Suite 420, New York, New York 10027 Telephone: 212/663-8900 EDWARD M. JONES, Director of Programming DEL SHIELDS, Host ROLE OF THE GUEST ON NIGHT CALL The basic idea of NIGHT CALL is to get callers and the guest into down-to-earth dialogue in a way that helps the audience participate in the discovery of new information, new ideas, new understandings. The role of the guest is dual: 1. At the beginning of the program the guest enters into a brief and informal conversation with the host, Del Shields, to sharply focus and clarify important points. Because this section sets the give-and-take pattern of question and answer for the entire show, it is essential that this be an exchange between the guest and host, not a capsule summary of points by the guest. The key word in the NIGHT CALL idea is the word "Conversation." 2. The next step comes four or five minutes into the show when the host takes the first call. The caller puts his question or comment directly to the guest. Here again the idea is an exchange between caller and guest. If the guest keeps his answers short and sharply focused, the caller can respond with new questions and ideas. Thus, we begin to achieve what the audience is really looking for -- the chance to hear an average person putting his questions, comments and concerns to the expert, almost as in normal face-to-face conversation. Some guests, fearing important points will be overlooked, tend to unwrap several ideas at a time in the early part of the show. We have found that audience interest and caller response is much higher when the guest deals with one idea at a time. The natural progression of the show soon moves us on to new ideas. At three points in the program -- every 15 minutes -- there is a break for station identification. The guest stays on the line during these breaks. Released in cooperation with the Broadcasting and Film Commission, National Council of Churches, and the National Catholic Office for Radio and Television(NCORT) Produced by TRAFCO/ Television, Radio and Film Commission of The United Methodist Church, Harry C. Spencer, General Secretary,  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 27 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/c6d7919d32a9fcb9bfde8170774a68eb.pdf 88fdcefd4e8f01a785200392250858b4 Scripto Transcription A written representation of a document. S'fA'l'lON8 CARR l li NIG1 '1' CALL ALABAMA Mobile WKRG MISSOURI Kansas City St. Louis CALIFORNIA Sacramento San Diego KERS(FM) KOGO-AM & FM MONTANA . Missoula (eff.9/16) COLORADO Loveland KLOV-FM NEBRASKA Omaha CONNECTICUT Stamford WSTC-AM & FM DISTRICT OF COLUMBIA Washington WAMU(FM) FLORIDA Jacksonville Miami Tampa WRHC WAME WFLA GEORGIA Atlanta WAOK ILLINOIS Champaign WLRW(FM) INDIANA I ndianapolis WTLC(FM) Je f fersonville WXVW (Louisville, Ky.) Kokomo WIOU I OWA Des Moines KRNT KENTUCKY Le xing ton Louisvill e Mor e h e ad -: · ·, . (e f f . 9/16 ) WBKY(FM) WLRS(FM) WMKY(FM) MASSACHUSETTS Amher st Boston WFCR ( FM ) WBUR(FM) MICH IGAN De troi t Flint Ironwood Whitehall WJLB WMRP - FM WJMS WLRC MINNESCYI'A Minneapolis WPBC-AM & FM ,. WPRS-FM KMOX-FM KGVO KBON NEW YORK Jamestown WKSN New York WLIB-FM WRVR(FM) New York WWRL (2nd½ only) New York Syracuse (Eff.9/16) WAER(FM) WRUN-AM & FM Utica NORTH CAROLINA Durham Winston-Salem WSRC-FM WAAA-FM OHIO --Alliance Cleveland Columbus Fostoria Toledo WFAH-FM WERE-AM &FM WOSU-FM WFOB-A~ & FM WCWA OREGON Por tland KLIQ- AM & FM PENNSYLVANIA Phi l a delphia Pitts burg h St a te College Tyr one Wilkes-Bar re WHAT WAMO- FM WGMR(FM) WTRN WBAX RHODE I SLAND Pr ovid ence WLKW-FM TENNESSEE Memphis Nashville WDIA WVOL TEXAS - ~ r th Wor th Aus t in VIRGINIA Char lottesv ille Ri c hmond Wa ynes boro Newp ort WASHI NGT ON Be llingham Seattle WISCONSIN Milwauke e KNOK- FM KUT( FM) (Eff. 9/2) WI NA WTVR WAYB WGH ) ) ) ) Eff. 9/2 KERI (FM) KUOW- FM WTMJ (E:ff# 9/16) � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document STATIONS CARRYING NiGhi CALL ALABAMA , Mobile WKRG CALIFORNIA Sacramento KERS (FM) San Diego KOGO-AM & FM COLORADO Loveland KLOV-FM CONNECTICUT Stamford WSTC-AM & FM DISTRICT OF COLUMBIA Washington WAMU (FM) FLORIDA Jacksonville WRHC Miami WAME Tampa WFLA GEORGIA Atlanta WAOK ILLINOIS Champaign WLRW (FM) INDIANA Indianapolis WTLC (FM) Jeffersonville WXVW (Louisville, Ky.) Kokomo W1OU IOWA Des Moines KRNT KENTUCKY Lexington WBKY (FM) Louisville WLRS (FM) Morehead oh WMKY (FM) (eff. 9/16) MASSACHUSETTS Amherst WFCR (FM) Boston WBUR (FM) MICHIGAN Detroit WJLB Flint WMRP=FM Ironwood WIJIMS Whitehall WLRC MINNESOTA Minneapolis WPBC-AM & FM MISSOURI Kansas City St. Louis MONTANA WPRS-FM KMOX-FM Missoula (eff.9/16) KGVO NEBRASKA Omaha NEW YORK Jamestown New York New York New York Syracuse (Eff.9/16) Utica NORTH CAROLINA Durham Winston-Salem OHIO Alliance Cleveland Columbus Fostoria Toledo OREGON Portland PENNSYLVANIA Philadelphia Pittsburgh State College Tyrone Wilkes-Barre RHODE ISLAND Providence TENNESSEE Memphis Nashville TEXAS Forth Worth Austin VIRGINIA Charlottesville Richmond Waynesboro Newport WASHINGTON Bellingham Seattle WISCONSIN Milwaukee KBON WKSN WLIB-FM WRVR (FM) WWRL (2nd 3 only) WAER (FM) WRUN-AM & FM WSRC-FM WAAA-FM WFAH-FM WERE-AM &FM WOSU-FM WFOB-AM & FM WCWA KLIQ-AM & FM WHAT WAMO-FM WGMR (FM) WTRN WBAX WLKW-FM WDIA WVOL KNOK-FM KUT(FM) (Eff. 9/2) WINA ) WIVR ) Eff. ) ) WAYB 9/2 WGH KER I (FM) KUOW=-FM WIMS (Eff. 9/16)  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 28 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/99bcb3781f75e078daa94afd0d781932.pdf dc6c37279a5d140fe73289426c04be58 Scripto Transcription A written representation of a document. TELEPHONE CALL IN SHOW ON VITAL ISSUES 475 Riverside Drive, Suite 420, New York, New York 10027 Telephone: 2121663-8900 S T A T I O N R E L A T I O N S H I P S Orig-ination: NI GHT CALL orig ina t es i n New York at 11:30 p.m. Ea s tern Time. The program i s broug h t to you r c ommunity by br oadcast lines . Cost o f broa d-:cast lines to your telephone compa n y te s t board is borne by t he producer. The loop and bridg ing costs f rom t he telephone compa ny to station a re borne by the station. Charges: There are no program charges. Production costs are the responsibility of the producer. Stat i on Cuta wa ys: There wil l be thr e e 70 s econd b re a ks - -on e eac h quarter hour -- du r ing t h e one -hou r broadcas t: a 10 se c ond st a t ion ID and 60 seconds f or local commercials . Revenue from commercia ls is the st a tion' s . The c hoice a nd res ponsibility fo r s u ch advertising rests wit h t he s ta tio n. Public Ser v ice Spo ts: Pu blic se r v ice spo ts will b e f e d down the network li n e f or the s t a tions whi c h wa nt a c omplete ly packa ged program. 7 Second De l ay: NI GHT CALL will be f ed live t o the s tatio ns with no delay. There a re two reasons why the show is not del a y e d n a tiona lly : a. The p roduce r c a nnot assume th i s res pons ibility legally for the station; therefore , n o attempt to do so is made. b. Acce ptable a ir expres sion c h anges f rom mark e t t o mark et. What is accept a ble in Ch ic a g o ma y be u nacceptable in Siou x Cit y . (Page 1 o f two) Released in cooperation with the Broad casting and Ftlm Commission, National Council of Churc hes, and the National Catholic Office for Radi o and Te levision (NCO RT) Prod uced by TRAFCOITelevi sion, Rad io and Fil m Commission of The United Method ist Chu rc h, Harry C. Spencer, General Secreta ry, �· Producer Precautions: The producer does have several precautions against abuse on the air: a. The calls are screened before being placed on the air. b. The host has override capability over both telephone lines. When the host speaks, the gain automatically lowers on the audience and guest lines. c. NIGHT CALL permits any point of view to be expressed. Ideas are attacked but per.s ons are not. This basic respect for persons has effectively negated the bigot in the past. d . The audience caller can be taken off the air at the flip of the switch by the host. Station Identification on the Network: Participating stations are identified on the air when a listener calls in from that station's listening audience. Audience Callers: NIGHT CALL accepts calls collect from listeners anywhere in the country. This cost is the responsibility of the producer. Test Signal: A program test signal with time checks will be sent down the line 15 minutes prior to starting time each night. Emergency Number: To contact the producer during or near show time, call: 212/ 749-5400. In c ase of a line problem, call your local tel e phone company. Regul ar Phone Number : The producer may be reached during office hours at: 212/ 663-8900. (Page 2 of two) � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Se MI a eat NELSON PRICE, Executive Producer BEN LOGAN, Producer 475 Riverside Drive, Suite 420, New York, New York 10027 Telephone: 212/663-8900 EDWARD M. JONES, Director of Programming DEL SHIELDS, Host STATION RELATIONSHIPS Origination: NIGHT CALL originates in New York at 11:30 p.m. Eastern Time. The program is brought to your community by broadcast lines. Cost of hbroad- cast lines to your telephone company test board is borne by the producer. The loop and bridging costs from the telephone company to station are borne by the station. Charges: There are no program charges. Production costs are the responsibility of the producer. Station There will be three 70 second breaks--one each Cutaways: quarter hour-- during the one-hour broadcast: a 10 second station ID and 60 seconds for local commercials. Revenue from commercials is the station's. The choice and responsibility for such advertising rests with the station, Public Public service spots will be fed down the network Service line for the stations which want a completely Spots: packaged program. 7 Second NIGHT CALL will be fed live to the stations with Delay: no delay. There are two reasons why the show is not delayed nationally: a. The producer cannot assume this responsi- bility legally for the station; therefore, no attempt to do so is made. b. Acceptable air expression changes from market to market. What is acceptable in Chicago may be unacceptable in Sioux City. (Page 1 of two) Released in cooperation with the Broadcasting and Film Commission, National Council of Churches, and the National Catholic Office for Radio and Television(NCORT) Produced by TRAFCO/ Television, Radio and Film Commission of The United Methodist Church, Harry C. Spencer, General Secretary, Producer Precautions: Station Identification on the Network: Audience Callers: Test Signal: Emergency Number : Regular Phone Number : The producer does have several precautions against abuse on the air: a. The calls are screened before being placed on the air. b. The host has override capability over both telephone lines. When the host speaks, the gain automatically lowers on the audience and guest lines. c. NIGHT CALL permits any point of view to be expressed. Ideas are attacked but persons are not. This basic respect for persons has effectively negated the bigot in the past. d. The audience caller can be taken off the air at the flip of the switch by the host. Participating stations are identified on the air when a listener calls in from that station's listening audience. NIGHT CALL accepts calls collect from listeners anywhere in the country. This cost is the responsibility of the producer. A program test signal with time checks will be sent down the line 15 minutes prior to starting time each night. To contact the producer during or near show time, call: 212/ 749-5400. In case of a line problem, call your local telephone company. The producer may be reached during office hours at: 212/ 663-8900. (Page 2 of two)  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 29 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/127efd1b9aa97e62a6a0cfaf777b3347.pdf 0f31047b20fa3b35651fa58563fe37cd Scripto Transcription A written representation of a document. The Urban Coalition 1815 H Street, N.W. Washington, D.C. 20006 Telephone: 347-9630 CHAIRMAN: John W. Gardner CO-CHAIRMEN: Andrew Heiskell/ A. Philip Randolph August, 1968 We need your help: The Urban Coalition and local Urban Coalitions in 33 American cities join in asking your support for the campaign, "Crisis In Our Cities", prepared by the Advertising Council for Urban America. This fine example of advertising in the public service, coupled with related campaigns, represents the largest single effort yet attempted to use the power of mass advertising to meet the growing problems of cities and people which threaten to destroy our way of life. No domestic crisis has equaled the gravity of the one which now confronts us and never has there been a more important opportunity to turn the nation's communications resources to better purpose. I urge you to give to this campaign the full and continuing support of your organization. The stakes, .for all of us, have never been greater. Sincerely, John W. Gardner Chairman - � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document The Urban Coalition esi onaae Washington, D.C. 20006 Telephone: 347-9630 CHAIRMAN: John W. Gardner CO-CHAIRMEN: Andrew Heiskell / A. Philip Randolph August, 1968 We need your help: The Urban Coalition and local Urban Coalitions in 33 American cities join in asking your support for the campaign, "Crisis In Our Cities", prepared by the Advertising Council for Urban America. This fine example of advertising in the public service, coupled with related campaigns, represents the largest single effort yet attempted to use the power of mass advertising to meet the growing problems of cities and people which threaten to destroy our way of life. No domestic crisis has equaled the gravity of the one which now confronts us and never has there been a more important opportunity to turn the nation's communications resources to better purpose. I urge you to give to this campaign the full and continuing support of your organization. The stakes, for all of us, have never been greater. Sincerely, eh John W. Gardner Chairman  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 3 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/5aa3e5e92699474add99d07924fb2fab.pdf 4c7840e618af006f7683c016332d1460 Scripto Transcription A written representation of a document. TELEPHONE CALL IN SHOW ON VITAL ISSUES 475 Riverside Drive, Suite 420, New York, New York 10027 Telephone: 2121663-8900 S T A T I O N R E L A T I O N S H I P S Origination: NIGHT CALL originates in New York at 11:30 ~.m. Eastern Time. The program is brought to your community by broadcast lines. Cost of broadcast lines to your telephone company test board is borne by the producer. The loop and bridging costs from the telephone company to station are borne by the station. Charges: There are no program charges. Production costs are the responsibility of the producer. Station Cutaways: There will be three 70 second breaks--one each quarter hour-- during the one-hour broadcast: a 10 second station ID and 60 seconds for local commercials. Revenue from commercials is the station's. The choice and responsibility for such advertising rests with the station. Public Service Spots: Public ser vic e spo ts will be fed down the network line f or the stations which want a completely pack~ged program. 7 Second Delay: NIGHT CALL will be fe d live to the stations with no delay. There are two reasons why the show is not delayed nationally: a. The producer cannot assume this r e sponsibility legally for the station; therefore, no attempt to do s o is made. b. Acceptable air expressio n changes from market to market. What is acceptable in Chicago may be unacceptable in Sioux City. (Page 1 of two) Released in cooperation with the Broadcasting and .Film Commission , National Council of Churches, and the National Ca tholic Office for Radio and Television (NCO RT) Produced by TRAFCO I Television , Radio and Film Comm ission of The Uni ted Methodist Church, Harry C. Spencer, General Secretary , �Producer Precautions: The producer does have several precautions against abuse on the air: a. The calls are screened before being placed on the air. b. The host has override capability over both telephone lines. When the host speaks, the gain automatically lowers on the audience and guest lines. c. NIGHT CALL permits any point of view to be expressed. Ideas are attacked but persons are not. This basic respect for persons has effectively negated the bigot in the past. d. The audience caller can be taken off the air at the flip of the switch by the host. S t ation Identification on the Network: Partici pating stations are identified on the air when a listener calis in from that station's listening audience. Audience Callers: NIGHT CALL accepts calls collect from listeners anywhere in the country. This cost is the responsibility of the producer. Test S ignal: A program test signal with time checks will be sent down the line 15 minutes prior to starting time each night. Emergency Number : To contact the producer during or near show time, call: 212/ 749-5400. In case o f a line problem, call your local telephone company. Regular Phone Number: The producer may be reached during office hours at: 212/ 663-8900. (Page 2 of two) � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document MN; ca OI aka NELSON PRICE, Executive Producer BEN LOGAN, Producer 475 Riverside Drive, Suite 420, New York, New York 10027 Telephone: 212/663-8900 EDWARD M. JONES, Director of Programming DEL SHIELDS, Host STATION RELATIONSHIPS Origination: NIGHT CALL originates in New York at 11:30 p.m, Eastern Time. The program is brought to your community by broadcast lines. Cost of broad- cast lines to your telephone company test board is borne by the producer. The loop and bridging costs from the telephone company to station are borne by the station, Charges: There are no program charges. Production costs are the responsibility of the producer. Station There will be three 70 second breaks--one each Cutaways: quarter hour-- during the one-hour broadcast: a 10 second station ID and 60 seconds for local commercials. Revenue from commercials is the station's, The choice and responsibility for such advertising rests with the station, Public Public service spots will be fed down the network Service line for the stations which want a completely Spots: packaged program. 7 Second NIGHT CALL will be fed live to the stations with Delay: no delay. There are two reasons why the show is not delayed nationally: a. The producer cannot assume this responsi- bility legally for the station; therefore, no attempt to do so is made, b. Acceptable air expression changes from market to market. What is acceptable in Chicago may be unacceptable in Sioux City. (Page 1 of two) Released in cooperation with the Broadcasting and Film Commission, National Council of Churches, and the National Catholic Office for Radio and Television (NCORT) Produced by TRAFCO/ Television, Radio and Film Commission of The United Methodist Church, Harry CG. Spencer, General Secretary, Producer Precautions: Station Identification on the Network: Audience Callers: Test Signal: Emergency Number : Regular Phone Number : The producer does have several precautions against abuse on the air: a. The calls are screened before being placed on the air. b. The host has override capability over both telephone lines. When the host speaks, the gain automatically lowers on the audience and guest lines. c. NIGHT CALL permits any point of view to be expressed. Ideas are attacked but persons are not. This basic respect for persons has effectively negated the bigot in the past. d. The audience caller can be taken off the air at the flip of the switch by the host. Participating stations are identified on the air when a listener calls in from that station's listening audience. NIGHT CALL accepts calls collect from listeners anywhere in the country. This cost is the responsibility of the producer. A program test signal with time checks will be sent down the line 15 minutes prior to starting time each night. To contact the producer during or near show time, call: 212/ 749-5400. In case of a line problem, call your local telephone company. The producer may be reached during office hours at: 212/ 663-8900. (Page 2 of two)  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 30 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/83d983bbf620595469e356768c33090f.pdf 07f0590edff4712b6b155f3917a4a745 Scripto Transcription A written representation of a document. ~ 1 C E !OR C 3 N ', ~ T ! T ·.i. bl ... r B- oa in ... .... -·~~-- m ,L Produced by adio Rnd Fil eth dist Co. i ssi, n urch te 420 0 '1 T l or. V Au � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document A, COMMURICATIONS RESOURCE FOR "T ESE CRisis _N THE NAT I ON" NIGHT PALL A National Radio Call-in Program Available for Broadcast in i.) Comaunity Produced by Television, Radio and Film Commission The, Unit ,, Methodist Church “a ee ycs Suite 420 "Panty New York 10027 ste ie i Released in .coopepation with the Wational Council of Churches The Wat iogad Catholic Office for Racio and Television e Age: an Jewish Committee ih >» Erdan Copl tion Augu.., 1968  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 31 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/efd14d6975812811a61a32a76bcbc0d0.pdf 3c10a17001911acc147fe5e868c54997 Scripto Transcription A written representation of a document. CRIS I . S I N T H E NAT I ON NIGHT CALL performs a unique service during the Crisis in the Nation. and cultural boundries. It crosses regional, urban It reaches both Black and White -- but more important, it brings persons of various backgrounds and points-of-view into dialogue. Radio permits person to speak to person without visual images getting in the way of communication. It ·permits persons with deep concerns and frustrations to find a responsible audience. It secures key national leader- ship at the right time -to speak -- to have rumor confronted, to let facts and truth speak in the midst of suspicion and misinformation. town meeting. NIGHT CALL is a national � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document CRIS815 IN THE NATION NIGHT CALL performs a unique service during the Crisis in the Nation, It crosses regional, urban and cultural boundries. It reaches both Black and White -- but more important, it brings persons of various backgrounds and points-of-view into dialogue. Radio permits person to speak to person without visual images getting in the way of communication. It ‘permits persons with deep concerns and frustrations to find a responsible audience, It secures key national leader- ship at the right time to speak -- to have rumor con- fronted, to let facts and truth speak in the midst of suspicion and misinformation. NIGHT CALL is a national town meeting.  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 32 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/7703d6f38b7efea4ab28cdfe9cdde02d.pdf bae4e686eb369065a525a7178339ab33 Scripto Transcription A written representation of a document. P UR P OS E In a nation where individual is estranged from individual and group from group, it is the purpose of NIGHT CALL to •,. help people find reconciliation to problems through understanding. to move towards solutions NIGHT CALL is a national town meeting of the air -- where persons of widely differing views and backgrounds are given a chance to speak, to be challenged, to ask questions, to listen to other views, to discover new facts. Here barriers of economic class, race and culture are crossed. The hoped for results include: 1. Individuals are given a chance to gain new information and insights which help them to act more responsibly in their community. 2. Individuals are aided in discovering that there are· no easy answers , that all issues have "grey _areas , " but that solutions lie in the direction ·of person underst a nding · per son. 3. The opportunity to be h eard and to h a ve their ideas dis cussed hones t l y a nd f orthright l y will encourage a small but significant number of persons to express their frustrations in constructive dialogue instead o f in destructive viol enc e. 4. Some o f the barriers a nd credib i l ity gaps between indiv iduals and groups are broken down. 5. I ndivid uals and c ommu n it ies can s h are sol ut ions to problems i n c o ntrast to further exploration of problems. 6. A deepening awareness that a search for the ultimate meaning and purpose of life moves one away from abstract issue s and toward ever-growing relationships with other people . � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document PURPOSE In a nation where individual is estranged from individual and group from group, it is the purpose of NIGHT CALL to help people find reconciliation -- to move towards solutions to problems through understanding. NIGHT CALL is a national town meeting of the air -- where persons of widely differing views and backgrounds are given a chance to speak, to be challenged, to ask questions, to listen to other views, to discover new facts. Here barriers of economic class, race and culture are crossed. The hoped for results include: 1. Individuals are given a chance to gain new in- formation and insights which help them to act more responsibly in their community. 2. Individuals are aided in discovering that there are no easy answers, that all issues have "grey areas," but that solutions lie in the direction ‘of person understanding person, 3. The opportunity to be heard and to have their ideas discussed honestly and forthrightly will encourage a small but significant number of persons to express their frustrations in con- structive dialogue instead of in destructive violence. 4, Some of the barriers and credibility gaps between individuals and groups are broken down. 5. Individuals and communities can share solutions to problems in contrast to further exploration of problems. 6. A deepening awareness that a search for the ultimate meaning and purpose of life moves one away from abstract issues and toward ever-growing relationships with other people.  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 33 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/138dea05445b7d17c9082028c831ac00.pdf 699e77f1928e793e7e3dfbc826a0494c Scripto Transcription A written representation of a document. FORMAT D E S C R I P T I ON NIGHT CALL ulitizes the popular telephone-talk format in radio. It presents the controversial issues which are affecting our lives today. There are several unique characteristics to NIGHT CALL: 1. It is the only national call-in show enabling points-of-view from every region of the country to be aired and discussed (this national capability is possible through specially designed equipment). 2. NIGHT CALL selects an issue for discussion each night. Because it is broadcast live, issues can move with the concerns and events of the day. 3. A nationally or internationally qualified guest is featured each night. The host and the guest quickly open up the issue. Then the audience is invited to participate by calling long distance collect. The guest also is usually on long distance telephone, sometimes from overseas points, thus giving NIGHT CALL a limitless range of guest possibilities. 4. NIGHT CALL is broadcast by both Black and White audience stations, thus enabling cultural as well as · geographical boundries to be jumped. The ghetto . Black communicates with the suburban White. This kind of confrontation and dialogue takes place on NIGHT CALL even where it isn't taking place in faceto-face conversation -- the result is an exciting show and experience. 5. An independent radio network has been established to permit broadest possible station acceptance. Both Black and White audience stations are encouraged to carry the program. NIGHT CALL originates in New York. June 3, 1968. The starting date was It is broadcast for one hour, five nights each week at 11:30 p,m. Eastern Time (immediately following TV news) and works back to 8:30 p.m. on the West Coast. � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document FORMAT DESCRIPTION NIGHT CALL ulitizes the popular telephone-talk format in radio. It presents the controversial issues which are affecting our lives today. There are several unique characteristics to NIGHT CALL: 1. It is the only national call-in show enabling points-of-view from every region of the country to be aired and discussed (this national capability is possible through specially designed equipment). 2. NIGHT CALL selects an issue for discussion each night. Because it is broadcast live, issues can move with the concerns and events of the day. 3. A nationally or internationally qualified guest is featured each night. The host and the guest quickly open up the issue. Then the audience is invited to participate by calling long distance collect. The guest also is usually on long distance telephone, sometimes from overseas points, thus giving NIGHT CALL a limitless range of guest possibilities. 4. NIGHT CALL is broadcast by both Black and White audience stations, thus enabling cultural as well as geographical boundries to be jumped. The ghetto _ Black communicates with the suburban White. This kind of confrontation and dialogue takes place on NIGHT CALL even where it isn't taking place in face- to-face conversation -- the result is an exciting show and experience. 5. An independent radio network has been established to permit broadest possible station acceptance, Both Black and White audience stations are en- couraged to carry the program, NIGHT CALL originates in New York. The starting date was June 3, 1968. It is broadcast for one hour, five nights each week at 11:30 p,m, Eastern Time (immediately following TV news) and works back to 8:30 p.m. on the West Coast.  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 34 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/0d5481ab1732b9ecd506463d73092dcc.pdf c2210902f92cd68221f46a5098effce4 Scripto Transcription A written representation of a document. H I S T OR Y NIGHT CALL was broadcast for eleven months in 1965/66 -- 230 one-hour programs. It grew from a three-station hook-up with three hosts to a 25 station network with one host. Produced by the Television , Radio and Film Com- mission of The United Methodist Church, NIGHT CALL was presented as a program of the National Council of Churches. I Issues which were d~scussed ranged over a broad spectrum of personal problems and national concerns -- from abortion, drug abuse, the Klan, to Vietnam , gun control, and adult morality. NIGHT CALL was terminated because of technical difficultie§ : ther e was not adequat e equipment available to handle a national telephone talk program. Equipment now has been designed which permits a national call - in show of h i gh technical qua lity. On April 9, 1968 , TRAFCO co- operated with Rad i o Station WRVR- FM in establ i shing a 36 statio n n etwork f or a "di a l -in for n on- v i olence." 3-1 / 2 hour show was b r o adcas t The l ive i n such c i t i e s as New Yo rk, Boston, Washington, D. C., Philadelph ia, Buffalo, Cl e veland, Detroit, Chicago, Milwaukee and Minneapolis. "dialed in" from every market. Listeners NIGHT CALL began . broadcast nightly Monday through Friday on June 3, 1968 on over 21 stations. Station affiliatiQn has grown rapidly. � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document HIS TO 8 Fz NIGHT CALL was broadcast for eleven months in 1965/66 -- 230 one-hour programs. It grew from a three-station hook-up with three hosts to a 25 station network with one host. Produced by the Television, Radio and Film Com- mission of The United Methodist Church, NIGHT CALL was presented as a program of the National Council of Churches. Issues which were discussed ranged over a broad spectrum of personal problems and national concerns -- from abortion, drug abuse, the Klan, to Vietnam, gun control, and adult morality. NIGHT CALL was terminated because of technical difficulties: there was not adequate equipment available to handle a national telephone talk program. Equipment now has been designed which permits a national call-in show of high technical quality. On April 9, 1968, TRAFCO co- operated with Radio Station WRVR-FM in establishing a 36- station network for a "dial-in for non-violence." The live 3-1/2 hour show was broadcast in such cities as New York, Boston, Washington, D. C., Philadelphia, Buffalo, Cleveland, Detroit, Chicago, Milwaukee and Minneapolis. Listeners "dialed in" from every market. NIGHT CALL began broadcast nightly Monday through Friday on June 3, 1968 on over 21 stations. Station affiliation has grown rapidly.  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 35 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/e1038dbe12b66267b29dc2c48320f607.pdf 61cf66afb19b6a5d13a1bde67d565b8a Scripto Transcription A written representation of a document. E Q U I P ME N T Research and development of special NIGHT CALL equipment was commissioned in August, 1965. delivered to TRAFCO in January, 1968. It was Now for the first time a national telephone talk show is possible. Simply, the equipment permits the caller, the host and I the guest (who is on long distance also) to talk together in a· normal way, automatically increases or decreases volume, provides an over-ride for the host, permits ~udience callers standing by while waiting to go on the air to hear the program while waiting on their telephones, and improves telephone line quality. equipment is highly technical and unique. applied for 16 patents. The TRAFCO has The consulting engineer who designed and constructed the NIGHT CALL equipment is Mr. Warren Braun of Harrisonburg, Virginia. � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document EQUIPMENT Research and development of special NIGHT CALL equipment was commissioned in August, 1965. It was delivered to TRAFCO in January, 1968. Now for the first time a national telephone talk show is possible. Simply, the equipment permits the caller, the host and the guest (who is on long distance also) to talk to- gether in a normal way, automatically increases or decreases volume, provides an over-ride for the host, permits audience callers standing by while waiting to go on the air to hear the program while waiting on their telephones, and improves Gelephone line quality. The equipment is highly technical and unique. TRAFCO has applied for 16 patents. The consulting engineer who designed and constructed the NIGHT CALL equipment is Mr. Warren Braun of Harrisonburg, Virginia.  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 36 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/952c0426d5258a724fd1a7894d4e4f66.pdf fb439475a32bd43d6f2057e0b68ba82f Scripto Transcription A written representation of a document. R E L A T I ON S H I P S NIGHT CALL is produced by the Television, Radio and Film Commission of The United Methodist Church (TRAFCO) and released in cooperation with the Broadcasting and Film Commission of the Nationa l Council of Churches of Christ in the U. So A., the National Catholic Office for Radio · and Television (NCORT) , the American Jewish Committee and the Ur ban Coalition. NIGHT CALL is a part o ~_ the Nationa l Council' s Cr isis in the Nation program. Church and community or ganizations and leaders a r e invit e d to p a rt i c i p ate i n t he NI GHT CALL radio s er ies. Execu tiv e p r oducer f or TRAFCO is Ne l son Pr i c e, 4 75 Riverside Drive, Suite 420, Ne w York , New York 10027, 212- 663 - 8900. � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document RELATIONSHIPS NIGHT CALL is produced by the Television, Radio and Film Commission of The United Methodist Church (TRAFCO) and released in cooperation with the Broadcasting and Film Commission of the National Council of Churches of Christ in the U. S. A., the National Catholic Office for Radio and Television (NCORT), the American Jewish Committee and the Urban Coalition. NIGHT CALL is a part of the National Council's Crisis in the Nation program. Church and community organizations and leaders are invited to participate in the NIGHT CALL radio series, Executive producer for TRAFCO is Nelson Price, 475 River- side Drive, Suite 420, New York, New York 10027, 212-663-8900.  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 37 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/188c2ad073f0105c2ac168447c980394.pdf eee5bb6ebfc07b5f9f769de8bc39f162 Scripto Transcription A written representation of a document. QUOTES FROM THE NIGHT CALL MAIL BAG "I enjoy listening to your new program ... My only suggestion is NOT TO DISCONTINUE ... " St. Paul, Minnesota "More power to you, Del, and to all who make Night Call possible. I'm a summer visitor listening to you in Collegeville, but l hope to be able to hear you at home in Bismarck, North Dakota, a town that really needs , open discussion and a remedy for latent racism." Collegeville, Minn. We are regular listeners (and callers, when we can throu gh your busy lines) ... and commend you and its sponsors for an excellent program." The writers suggested guests from the National Alliance of Businessmen and the movie industry on "the incredibly poor and potentially dangerous movies that appear in every movie house all over the nation." San Dieg o " ... thank you ... for, the most interesting prog ram it has ever been my privilege to listen to over the radio in these recent years ... Our only problem down here is that we hear the program over WFLA in Tampa (and Night Call gets pre-empted for baseball) ... last week we lucked out and only missed one program ... Good luck to you all, perhaps all the baseball games will be 'rained out." Tampa, Florida "This is to- let you know we are listening... It's important information, not only educational, but providing important insights and inquiries into issues that are vit al to the sani ty and success of this nation." Seattle, Washingt on "Please -- can 't we h a v e s ome moderation or sense o f politica l b a l ance -- perhaps only pure coincidence, but the programs I have listened to seem to be purely 'libera l' and left-wing in the nature of the guests and topics. I am tired o f the Carmichaels, the Raps a nd the racial divisionists -- there are still white p e ople with problems, too:" Chagrin Falls, Ohio "I hope you have H. Rap Brown on again some night. It is somewhat of a perverse pleasure to hear a grown man figuratively cry and so distort the facts as to make a jack-ass of himself. Thank you." Toledo, Ohio "I am very sorry for Mr. Carmichael and his feeling of hatred ... I think I heard you say you are black. I too am black and proud of it, but Mr. Carmichael will be surprised to know how many thousands of blacks disagree with him and will never join a revolution. Think of the victories won by violence. Where are they?" New York �"Nice going on a great program. Now the problem is to get everybody listening to it. I will do my selling bit down here." Winston-Salem, North Carolina "First I must apologize for hanging up abruptly in my exchange with Mr. Steven Ledogar. The fact is I was so caught up in the issue and so angry at Mr. Ledogar that I wanted to conclude our communication ... my hanging up in such a manner was, obviously indefensible. I am somewhat surprised, myself, at this action ... What he is repeating ... is utterly, cynically untrue. (administration position on Vietnam). "I believe we are in a period of continuing and perhaps periodically escalating crises. I believe that, ultimately, only self-knowledge, introspection, will halt this process. NIGHT CALL is playing an extremely important role in this end. ':' Cleveland, Ohio "I like the way you conduct your NIGHT CALL. So many of the moderators do all of the talking. Since you put this Cleveland "pest" ... on last night, I am sure you are going to be bothered with this old John Bircher. Keep up the quality that you have now." Cleveland, Ohio Excerpts of a letter to Dr. A. W. Criswell, Southern Baptist Convention: "I have just heard you 1n on NIGHT CALL. I feel like crying and crying. You have not begun to understand the problem ... ! call myself a Baptist and profess to be a Chris tian .. . as I understand my Baptist training, we need not progress but repent ..• Don't tell the black that time caused the problem and time will cure it. Time didn't cause it -- White Baptists (and others, · but the number game must fault the Baptist) caused it ••• " Minneapolis, Minnesota NEW STATIONS The week of September 2, we are please to be adding a number of stations to the NIGHT CALL network. These include: KUT(FM) WINA WGH WTVR WAYB Austin, Texas Charlottesville, Va. Newport Ne ws, Va. Richmond, Va. Waynesboro , Va. Stations slated to join starting September 16 are: WMKY KGVO WAER(FM) WTMJ Morehead, Ky. Missoula, Montana Syracus~, N. Y. Milwaukee, Wis. � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document QUOTES FROM THE NIGHT CALL MAIL BAG "I enjoy listening to your new program... My only suggestion is NOT TO DISCONTINUE..." St. Paul, Minnesota "More power to you, Del, and to all who make Night Call possible. I'm a summer visitor listening to you in Collegeville, but I hope to be able to hear you at home in Bismarck, North Dakota, a town that really needs - open discussion and a remedy for latent racism." Collegeville, Minn. We are regular listeners (and callers, when we can through your busy lines)... and commend you and its sponsors for an excellent program." The writers suggested guests from the National Alliance of Businessmen and the movie industry on "the incredibly poor and potentially dangerous movies that appear in every movie house all over the nation." San Diego ",..thank you...for the most interesting program it has ever been my privilege to listen to over the radio in these recent years... Our only problem down here is that we hear the program over WFLA in Tampa (and Night Call gets pre-empted for baseball) ... last week we lucked out and only missed one program... Good luck to you all, perhaps all the baseball games will be rained out." Tampa, Florida "This is to. let you know we are listening... It's important information, not only educational, but providing important insights and inquiries into issues that are vital to the sanity and success of this nation," Seattle, Washington "Please -- can't we have some moderation or sense of political balance -- perhaps only pure coincidence, but the programs I have listened to seem to be purely 'liberal' and left-wing in the nature of the guests and topics. I am tired of the Carmichaels, the Raps and the racial divisionists -- there are still white people with problems, too!" Chagrin Falls, Ohio "I hope you have H, Rap Brown on again some night. It is some= what of a perverse pleasure to hear a grown man figuratively cry and so distort the facts as to make a jack-ass of himself. Thank you.” Toledo, Ohio "I am very sorry for Mr. Carmichael and his feeling of hatred... I think I heard you say you are black. I too am black and proud of it, but Mr. Carmichael will be surprised to know how many thousands of blacks disagree with him and will never join a revolution. Think of the victories won by violence. Where are they?" New York "Nice going on a great program. Now the problem is to get everybody listening to it. I will do my selling bit down here." Winston-Salem, North Carolina "First I must apologize for hanging up abruptly in my exchange with Mr. Steven Ledogar. The fact is I was so caught up in the issue and so angry at Mr. Ledogar that I wanted to conclude our communication...my hanging up in such a manner was, obviously indefensible. I am somewhat surprised, myself, at this action ...-What he is repeating...is utterly, cynically untrue. (administration position on Vietnam). "I believe we are ina period of continuing and perhaps periodically escalating crises. I believe that, ultimately, only self-knowledge, introspection, will halt this process. NIGHT CALL is playing an extremely important role in this end." Cleveland, Ohio "I like the way you conduct your NIGHT CALL. So many of the moderators do all of the talking. Since you put this Cleveland "pest™"...on last night, I am sure you are going to be bothered with this old John Bircher. Keep up the quality that you have now." Cleveland, Ohio Excerpts of a letter to Dr. A. W. Criswell, Southern Baptist Convention: "I have just heard you in on NIGHT CALL. I feel like crying and crying. You have not begun to understand the problem...I call myself a Baptist and profess to be a Christian -».as I understand my Baptist training, we need not progress but repent...Don't tell the black that time caused the problem and time will cure it. Time didn't cause it -- White Baptists (and others, but the number game must fault the Baptist) caused L65.0q% Minneapolis, Minnesota NEW STATIONS The week of September 2, we are please to be adding a number of stations to the NIGHT CALL network. These include: KUT(FM) - Austin, Texas WINA - Charlottesville, Va. WGH - Newport News, Va. WTVR - Richmond, Va. WAYB - Waynesboro, Va. Stations slated to join starting September 16 are: WMKY - Morehead, Ky. KGVO =- Missoula, Montana WAER(FM) = Syracuse, N. Y. WTMJ Milwaukee, Wis.  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 38 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/5dad822cf5e424813c2da4245291f1d4.pdf 6e125476684ea34b8f55504de7a2cd3d Scripto Transcription A written representation of a document. TIME THE WEEKLY NEWS A-\AGAZINE August 23, 1968 Vol. 92, No. 8 DAVID GAHR ROOERT LI GHTFOO T 111 GUEST ALINSKY MODERATOR SHIELDS Just call collect for an argum ent. The Cool Hot Line The hot-line show is one of the most discredited forms of radio programming. What could be more µnedifying than know-nothing listeners phoning in their philosophies to know-it-all ex-disk jockeys? But this summer the United Methodist C hurch is making judicious use of the format. It is sponsoring a radio dialogue between the races that is more compelling than any heard on the sudden multitude of such talk shows, including those produced on TV. T he name of the program is Night Call, and it is carried live (11 :30 p.m.12:3 0 a.m ., E .D.T.) five evenings a week on an ad hoc chain that has grown from 21 to 57 radio stations in less than three months. Listeners anywhere may phone collect (Area Code 2 12: 74933 11) and argue racial issues with an influential national figure who is guest of the night, say James Baldwin, the Rev. R alph Abernathy, Muhammad Ali, Sargent Shriver or A rthur Miller. The most provocative visitor so farjudging by the number of callers totted up by the phone company-was Stokely Carmichael, who was dialed by 64,440 Americans. In custo mary form , Carmichael told one listener who wondered about the impact of nonviolence on whites, "You should ask Martin Luther King that question. " A wh ite guest who stirred a big switchboard jam was New York's Mayor John Lindsay. Quizzed on the wa r in Viet N am, Lindsay replied ·that it was " unprod uctive. unwanted , end less, bottomless, sideless, and its cost is unquestionably affecting the problems in our cities." Another night, White Radica l Saul Alinsky, in sympathy with black callers, blasted the Job Corps as a "payoff to stay quiet'· and categori zed m uch of the rest oi the poverty program as ·'a public relatiops gimmick." Ranting Nuts. Thanks to a specially built phone link-up system, the program's guest generally participates as the listeners do-by long-distance from his home. A Manhattan staffer receives calls on three phones, screening out ·'the drunks and ranting nuts." T he twelve or J 5 most pertinent questions are put th rough to the show's moderato r, Del Shields. In case the conversation gets li belous or licentious, Shields can push a cut-off button, but he has not yet had to use it. T hough the discussion is freq uently fiery, about the roughest language used to date was Rap Brown's dismissal of civil rights legislation as "intellectual masturbation." Shields, who is a radio veteran and militant black, got into the debate himself once when he felt that a Negro caller was unfairly attacking Guest Jackie Robi nson for Uncle Tomism. Often, Moderator Shields, who hits fungoes to the guest for ten or 15 minutes before turning him over to the phone-in aud ience, is the toughest interrogator of the night. Roy Innis, director of CO RE, should know what is in store for him next month. Shields plans to as~ him " Has CORE gone Tom?" � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document IME THE WEEKLY NEWSMAGAZINE August 23, 1968 Vol. 92, No. 8 The Cool Hot Line The hot-line show is one of the most discredited forms of radio program- ming. What could be more unedifying than know-nothing listeners phoning in their philosophies to know-it-all ex-disk jockeys? But this summer the United Methodist Church is making judicious use of the format. It is sponsoring a radio dialogue between the races that is more compelling than any heard on the sudden multitude of such talk shows, including those produced on TV. The name of the program is Nigi/it Cail, and it is carried live (11:30 p.m.- 12:30 a.m., E.D.T.) five evenings a week on an ad hoc chain that has grown from 21 to 57 radio stations in less than three months. Listeners anywhere may phone collect (Area Code 212: 749- 3311) and argue racial issues with an in- fluential national figure who is guest of the night, say James Baldwin, the Rev. RODERT LIGHTFOOT til aa GUEST ALINSKY MODERATOR SHIELDS Just call collect for an argument. Ralph Abernathy, Muhammad Ali, Sar- gent Shriver or Arthur Miller. The most provocative visitor so far— judging by the number of callers totted up by the phone company—was Stoke- ly Carmichael, who was dialed by 64,440 Americans. In customary form, Carmichael told one listener who won- dered about the impact of nonviolence on whites, “You should ask Martin Lu- ther King that question.” A white guest who stirred a big switchboard jam was New York's Mayor John Lindsay. Quizzed on the war in Viet Nam, Lind- say replied :that it was “unproductive, unwanted, endless, bottomless, sideless, and its cost is unquestionably affecting the problems in our cities.” Another night, White Radical Saul Alinsky, in sympathy with black callers, blasted the Job Corps as a “payoff to stay quiet” and categorized much of the rest of the poverty program as “a public re- lations gimmick.” DAVID GAHR Ranting Nuts. Thanks to a specially built phone link-up system, the pro- vgram’s guest generally participates as the listeners do—by long-distance from his home. A Manhattan staffer receives calls on three phones, screening out “the drunks and ranting nuts.” The twelve or 15 most pertinent questions are put through to the show’s moder- ator, Del Shields. In case the conver- sation gets libelous or licentious, Shields can push a cut-off button, but he has not yet had to use it. Though the dis- cussion is frequently fiery, about the roughest language used to date was Rap Brown's dismissal of civil rights leg- islation as “intellectual masturbation.” Shields, who is a radio veteran and militant black, got into the debate him- self once when he felt that a Negro call- er was unfairly attacking Guest Jackie Robinson for Uncle Tomism. Often, Moderator Shields, who hits fungoes to the guest for ten or 15 minutes be- fore turning him over to the phone-in audience, is the toughest interrogator of the night. Roy Innis, director of CORE, should know what is in store for him next month. Shields plans to ask him “Has CORE gone Tom?”  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 39 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/945ce7d1620e569c5aa8122ac8b542c5.pdf a87f84b102d17cae34f1985b3382d9aa Scripto Transcription A written representation of a document. 25 years of advertising contributed for the public good. THE ADVERTISING COUNCIL, INC. 25 WEST 45th STREET, NEW YORK, N. Y. 10036 NEW Y O RK WASH I NGTON '• C H IC AG O No. 91 CRISIS IN OUR CITIES (The material contained in this Fact Sheet has been obtained from Urban America, Inc. Volunteer Advertising Agency" Ketchum, MacLeod and Grove, Inc. Volunteer Coordinator: Mr. Gail Smith, General Motors Corporation) ATTENTION TO WHAT IS HAPPENING .•. With repeated explosions of violence and destruction spotlighting the deteriorating condition of our cities, each of us needs to be vividly aware of the depth of the crisis now facing America's Urban communities. Regardless of where we and our families live, the problem of the cities is ~problem. John W. Gardner, Chairman of the Urban Coalition, has pointed out that although many · believe that 11 their special worlds can flourish while the society decays •.. our Society is wholly interdependent today, and decay in part endangers all . 11 .•• AND TO THOSE AFFECTED America's spreading slums affect most drastically the non-white populations that each year come crowding into our cities. The rate of non-whiteJS to whites in American cities has been growing since the War -- and the trend is continuing. The over crowding has been accompanied by poor housing, inadequate education, high rates of unemployment among people segregated along racial lines . THE CHOICE -- DISASTER OR CONSTRUCTIVE CHANGE Statistical projections point to the danger that in the future America will become divided i nto non-white ci ty ghettos and white suburbs . Conditions of deprivation for one segment of a divided population can bring disaster to the nation as a whole. Or they can lead to constructive change. H O l.LYW O OD �-2EVERYONE HAS A PART A major aspect of life in the slums is its failure of communication with the rest of America. The slums become ghettos which breed misunderstanding and frustration. If disaster is to be averted and conditions changed for t he better this communications gap must be overcome. Whites and blacks must develop the means for acting together against poverty, discrimination, bad housing, poor education, powerlessness and estrangement. 11 THE TURNING POINT" Every citizen can participate in voluntary activities to eliminate slums and improve relations among Americans of all races and economic groups. A booklet entitled, The Turning Point lists things that individuals can do now to help alleviate the crisis in our citie s . The Turning Point is available free of charge by writing Urban America, Inc ., Box 6087, Washington , D.C. 20005 SUMMARY • •. WHAT TO TELL YOUR AUDIENCE 1) Point to the crisis in our cities -- over crowded neighb or hoods, poor housing, inadequate education , unemployment -- and emphasize that what happens to our cities happens t o our suburbs. Society today is a i nt erdependent whole, and decay in one part endanger s all. 2) Emphasi ze t hat unle ss we act to remake our cities , ghe tto condi t ions -- and the frustrat i on and unrest t hey br eed, will spread, dividing America and t hre atening i ts f u t ure . 3) Explain that lack of communi cation be t ween the slums and t he rest of t he nation mus t be overcome , s o t hat all can wor k to gether agains t poverty, di scrimination, po or physic al conditions, unemployment, powerl e ssnes s and e s t rangement . 4) Drive home that every American has a part to pl ay as a vol unteer i n i mpr omlng existi ng condi t i ons and human relations - - and urge everyone to write for the free booklet, The Turning Point whic h l ist s many things t hat individual s can do to all eviate the crisi s in our ci t i es. Addres s Ur ban America , I nc ., Box 6087, Washington, D.C. 20005 NOTE: If you woul d l ike further informat ion or addi tional service in connection with this campai gn, pl ease get in touch with any of the following Advertising Council offices: NEW YORK Mr . Henry C. Wehde, Mr . Gordon Kinney or Mrs. Mildred Vega, 25 West 45th St reet, New York, N. Y. 10036 ... JUdson 2-1520. CHICAGO Mrs. L. S. Schwartz, Room 2000, 203 North Wabash Avenue, Chicago, Illinois 60601 .•. RAndolph 6-1753 . �-3HOLLYWOOD Yirs. Celeste Meakin, 1717 North Highland Avenue, Los Angeles, California 90028 .. . HOllywood 2-0988. WASHINGTON Miss Eleanor Sullivan, 1200 18th Street, N.W., Washington, D.C. 20036 ... FEderal 8-9153. 7.8 � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document THE ADVERTISING COUNCIL, INC. 25 years of for the public good. NEW YORK ° WASHINGTON . CHICAGO ® HOLLYWOOD No. 91 CRISIS IN OUR CITIES (The material contained in this Fact Sheet has been obtained from Urban America, Inc. Volunteer Advertising Agency" Ketchum, MacLeod and Grove, Inc. Volunteer Coordinator: Mr. Gail Smith, General Motors Corporation) ATTENTION TO WHAT IS HAPPENING... With repeated explosions of violence and destruction spotlighting the deteriorating condition of our cities, each of us needs to be vividly aware of the depth of the crisis now facing America's Urban communities. Regardless of where we and our families live, the problem of the cities is our problem. John W. Gardner, Chairman of the Urban Coalition, has pointed out that although many ‘believe that "their special worlds can flourish while the society decays...our Society is wholly interdependent today, and decay in part endangers all." --+AND TO THOSE APFECTED America's spreading slums affect most drastically the non-white populations that each year come crowding into our cities. The rate of non-whites to whites in American cities has been growing since the War -- and the trend is continuing. The over crowding has been accompanied by poor housing, inadequate education, high rates of unemployment among people segregated along racial lines. THE CHOICE -- DISASTER OR CONSTRUCTIVE CHANGE Statistical projections point to the danger that in the future America will become divided into non-white city ghettos and white suburbs. Conditions of deprivation for one segment of a divided population can bring disaster to the nation as a whole. Or they can lead to constructive change. -2. EVERYONE HAS A PART A major aspect of life in the slums is its failure of communication with the rest of America. The slums become ghettos which breed misunderstanding and frustration. If disaster is to be averted and conditions changed for the better this communications gap must be overcome. Whites and blacks must develop the means for acting together against poverty, discrimination, bad housing, poor education, powerlessness and estrangement. "THE TURNING POINT" Every citizen can participate in voluntary activities to eliminate slums and improve relations among Americans of all races and economic groups. A booklet entitled, The Turning Point lists things that individuals can do now to help alleviate the crisis in our cities. The Turning Point is available free of charge by writing Urban America, Inc., Box 6087, Washington, D.C. 20005 SUMMARY...WHAT TO TELL YOUR AUDIENCE 1) Point to the crisis in our cities -- overcrowded neighborhoods, poor housing, inadequate education, unemployment -- and empha- size that what happens to our cities happens to our suburbs. Society today is a interdependent whole, and decay in one part endangers all. 2) Emphasize that unless we act to remake our cities, ghetto con- ditions -- and the frustration and unrest they breed, will spread, dividing America and threatening its future. 3) Explain that lack of communication between the slums and the rest of the nation must be overcome, so that all can work together against poverty, discrimination, poor physical conditions, unemployment, powerlessness and estrangement. hk) Drive home that every American has a part to play as a volunteer in improving existing conditions and human relations -- and urge everyone to write for the free booklet, The Turning Point which lists many things that individuals can do to alleviate the crisis in our cities. Address Urban America, Inc., Box 6087, Washington, D.C. 20005 NOTH: If you would like further information or additional service in connection with this campaign, please get in touch with any of the following Advertising Council offices: NEW YORK Mr. Henry C. Wehde, Mr. Gordon Kinney or Mrs. Mildred Vega, 25 West 45th Street, New York, N. Y. 10036... JUdson 2-1520. CHICAGO Mrs. L. S. Schwartz, Room 2000, 203 North Wabash Avenue, Chicago, Illinois 60601...RAndolph 6-1753. -3- HOLLYWOOD Mrs. Celeste Meakin, 1717 North Highland Avenue, Los Angeles, California 90028...HOllywood 2-0988. WASHINGTON Miss Eleanor Sullivan, 1200 18th Street, N.W., Washington, D.C. 20036...FEderal 8-9153. 7.8  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 4 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/40c0e962b42f3e1af0fcc05c0610ebac.pdf c3cdd7d1b8af5dddb71c0a057e1c3f9f Scripto Transcription A written representation of a document. A NATIONAL RADIO NELSON PRICE, Executive Producer BEN LOGAN , Producer EDWARD M. JONES, Director of Programming DEL SHIELDS, Host TELEPHONE CALL IN SHOW ON VITAL ISSUES 475 Riverside Drive, Suite 420, New York, New York 10027 Telephone: 2121663-8900 NELSON PRICE, Executive Producer of NIGHT CALL, has been a member of the TRAFCO staff since 1959. He is Director of the Radio and Television Department for TRAFCO (Television, Radio and Film Communications for The United Methodist Church). Mr. Price was Producer of the BREAKTHRU television series f or c hildren, Producer of several TRAFCO films and filmstrips, Executive Producer of the award winning AMERICAN PROFILE radio series, THE WORD--AND MUSIC weekly radio series, and THE MAN WITH A MIKE daily radio series. He is Chairman of the Radio Opera tions Committee of the Broadcasting and Film Commission, National Council o f Churches, and Chairman of THE PROTESTANT HOUR Committee. He ser ve s on the Executive Committee of the Protestant Radio and Television Center in Atlanta, is a member of the World Association for Christian Broadcasting, the National Association for the Study of Communications, and member of the Board of Managers and Executive Committee of the Broadcas 1, ing and Film Commission of the National Council of Churches. Mr . Price is a graduate of Morningside College in Sioux City, Iowa and did graduate work in communications at the University of Ch'icago. He was Director o f Public Relations for the Indiana Area of The Methodist Church from 1952-57, and held a similar position in Chicago from 1957-59. Mr. Price has four children and lives in Pomona, New York. Released in c ooperation with the Broadcasting and Film Commission, National Council of Churches, and the National Catholic Office tor Radio and Television (NCO RT) Produced by TRAFCOITelevision, Radio and Film Commission of The United Methodist Chu rch, Harr y C. Spencer, Generaj Sec retary , � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document TUN se IND ess NELSON PRICE, Executive Producer - ; BEN LOGAN, Producer 475 Riverside Drive, Suite 420, New York, New York 10027 Telephone: 212/663-8900 EDWARD M. JONES, Director of Programming DEL SHIELDS, Host NELSON PRICE, Executive Producer of NIGHT CALL, has been a member of the TRAFCO staff since 1959. He is Director of the Radio and Television Department for TRAFCO (Television, Radio and Film Communications for The United Methodist Church). Mr. Price was Producer of the BREAKTHRU television series for children, Producer of several TRAFCO films and filmstrips, Executive Producer of the award winning AMERICAN PROFILE radio series, THE WORD--AND MUSIC weekly radio series, and THE MAN WITH A MIKE daily radio series. He is Chairman of the Radio Operations Committee of the Broadcasting and Film Commission, National Council of Churches, and Chairman of THE PROTESTANT HOUR Committee. He serves on the Executive Committee of the Protestant Radio and Television Center in Atlanta, is a member of the World Association for Christian Broadcasting, the National Association for the Study of Communications, and member of the Board of Managers and Executive Committee of the Broadcasting and Film Commission of the National Council of Churches. Mr. Price is a graduate of Morningside College in Sioux City, Iowa and did graduate work in communications at the University of Chicago. He was Director of Public Relations for the Indiana Area of The Methodist Church from 1952-57, and held a similar position in Chicago from 1957-59, Mr. Price has four children and lives in Pomona, New York, Released in cooperation with the Broadcasting and Film Commission, National Council of Churches, and the National Catholic Office for Radio and Television (NCORT) Produced by TRAFCO/ Television, Radio and Film Commission of The United Methodist Church, Harry GC. Spencer, General Secretary,  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 40 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/7733d6801a03cc55ae38ee1f4c10a920.pdf e4777bb393aa8caa4c316d7b92eb675d Scripto Transcription A written representation of a document. TELEPHONE CALL IN SHOW ON VITAL ISSUES 475 Riverside Drive, Suite 420, New York, New York 10027 Telephone : 2121663-8900 BEN LOGAN, NIGHT CALL Producer, has been a member of the TRAFCO staff since 1961. For the last year and a half he has been producer of AMERICAN PROFILE, the award-winning daily radio series which is syndicated to 490 stations. He also produced MAN WITH THE MIKE for TRAFCO, was Producer-Writer of the half-hour TV documentary, CRISIS CONGO, and wrote the Christmas film, THE COMING OF THE STRANGER. Mr. Logan was story editor for the BREAKTHRU TV series and has written fuany films and filmstrips for TRAFCO. He has also done extensive free-lance fiction, non-fiction and commercial film writing. For several years he was employed by Ford Motor Comp a ny as a magazine editor and script writer. Mr. Logan has a master's degree in journalism from the University of Wisconsin and has done advance work at New York ·~niversity and the University of the Americas in Mexico City. He has taught creative writing for the University o f Wisconsin Extension Division and Scarritt College in Nashv ille , Tennessee. Mr. Logan has t hree children and lives in Golden Bridge , New York. Released in cooperation with the Broadcasting and Film Commission , National Council of Churches , and the National Catholic Office tor Radio and Television (NCORT) Produced by TRAFCOI Te levis ion , Radio and Film Commission of The United Methodist Church , . Harry C. Spencer, General Secretary , � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document NG A NATIONAL RADIO CO. CALL IN SHOW ON VITAL ISSUES NELSON PRICE, Executive Producer BEN LOGAN, Producer 475 Riverside Drive, Suite 420, New York, New York 10027 Telephone: 212/663-8900 EDWARD M. JONES, Director of Programming DEL SHIELDS, Host BEN LOGAN, NIGHT CALL Producer, has been a member of the TRAFCO staff since 1961, For the last year and a half he has been producer of AMERICAN PROFILE, the award-winning daily radio series which is syndicated to 490 stations. He also produced MAN WITH THE MIKE for TRAFCO, was Producer-Writer of the half-hour TV documentary, CRISIS CONGO, and wrote the Christmas film, THE COMING OF THE STRANGER, Mr. Logan was story editor for the BREAKTHRU TV series and has written many films and filmstrips for TRAFCO, He has also done extensive free-lance fiction, non-fiction and commercial film writing. For several years he was employed by Ford Motor Company as a magazine editor and script writer. Mr. Logan has a master's degree in journalism from the University of Wisconsin and has done advance work at New York University and the University of the Americas in Mexico City. He has taught creative writing for the University of Wisconsin Extension Division and Scarritt College in Nashville, Tennessee. Mr. Logan has three children and lives in Golden Bridge, New York. Released in cooperation with the Broadcasting and Film Commission, National Council of Churches, and the National Catholic Office for Radio and Television (NCORT) Produced by TRAFCO/ Television, Radio and Film Commission of The United Methodist Church, Harry GC. Spencer, General Secretary,  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 41 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/54af3782448ebdf5fa92ea423d75e63b.pdf 4f9cf2f65b532d8f612a44e0a2e2d3e9 Scripto Transcription A written representation of a document. TELEPHONE CALL IN SHOW ON VITAL ISSUES 475 Riverside Drive, Suite 420, New York, New York 10027 Telephone : 2121663-8900 EDWARD MAGRUDER JONES, Director of Programming for NIGHT CALL, has just completed an assignment as Producer-Director-Writer for the TV documentary, ONE NATION INDIVISIBLE. This 3 hour program on racism in the United States is a Westinghouse Broadcasting Company production. 1966-67 ABC Ne ws Producer-Director-Writer "Africa, World Boy Scout Jamboree " , "Glassboro Summit", "Nurs es: Crisis in Medicine", "GT-9, 9A & 10 Space Missions". 1963-65 WABC TV Producer of News and Public Affairs Series: New York, New York", Page One", "The Bi g News" Speci a ls: "Who Will Tie My Shoe?: The Mentally Retarded", "The Fair Face o f Robert Mose s , Parts 1 , 2 and 3" , "Opening D~y At The World's Fair, '64 and '65", "Puerto Rican Day Parade 1965", "The Big News of 1964", "Ten Years:' .. . . with all deliberate speed.'" , "Herbert Lehman: The Making of a Hero", "The Deputy" , "The Teacher : Honor Without Profit", "Blowup At Breez y Point" , "#2 Columbus Circl e : New Gall e ry In Town", "Action At St r ycke r' s Bay". Ne two r k Spec i a ls: 11/22/63: half hour bio LBJ ; 1 1/23/63 : An ,Appreci ation o f JFK by Henr y St ee le Commager ; 11/ 24/ 63: An Apprecia tion o f JFK by James Mac Gre go r Burns; 1 1/25/ 63: hou r bio LBJ ; r e mo te p rodu cer Nationa l Re publi c an and Demo cratic Conve nt io ns, 1964. 1952-62 CBS Ne ws Producer CBS Repor t s " Sho wdown I n The Con go ", "The Ho t And Co l d Wars o f Alle n Du lles", "East Ge r ma ny: The La nd Be yon d The Wall", "E isenhower On The Pre s i d e n cy , Par t s 1, 2 a n d 3 " , " Cross ro a ds Afr i ca: Pi lot For A Peace Cor ps " . Associ ate Produ cer CBS Reports "The Bea t Majority: Our Ele ction Da y Illu s ions ", "The Case o f t h e Bos ton El ec t ra " , " Iran : Britt l e Al ly", "Bio g r aphy o f a Miss il e " . Produce r Small World Spe cial The Sma ll World o f Le o Szilard" . Associate Ed i to r -Pr oducer " Sma l l Wo r ld" series Reporter- Pr oduc tion Asso c i ate "See It No w" ser i es Reporter-Writer " Th is Is Ne w Yo r k" series W CBS Rad i o Desk Assista n t-Junior Wr iter Netwo rk Radio Ne ws Mr. Jones has 3 chil d re n and li v e s in Scarsd ale , Ne w York. Released in c ooperation with the Broadcasting and Film Commission, National Council of Church es, and the Nation al Catholic Offic e fo r Radio and Television (NCORT) Prod uced by TRAFCOI Television, Radio and Fil m Commission of The United Methodist Churc h, Harry C. Spencer, General Secretary, � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document mM th; sinc MM cs NELSON PRICE, Executive Producer BEN LOGAN, Producer 475 Riverside Drive, Suite 420, New York, New York 10027 Telephone: 212/663-8900 EDWARD M. JONES, Director of Programming DEL SHIELDS, Host EDWARD MAGRUDER JONES, Director of Programming for NIGHT CALL, has just completed an assignment as Producer-Director-Writer for the TV documentary, ONE NATION INDIVISIBLE. This 3 hour program on racism in the United States is a Westinghouse Broadcasting Company production. 1966-67 ABC News Producer-Director-Writer "Africa", "World Boy Scout Jamboree", "Glassboro Summit", "Nurses: Crisis in Medicine", "GT-9, 9A & 10 Space Missions". 1963-65 WABC TV Producer of News and Public Affairs series: "New York, New York", "Page One", "The Big News" Specials: "Who Will Tie My Shoe?: The Mentally Retarded", "The Fair Face of Robert Moses, Parts 1, 2 and 3", "Opening Day At The World's Fair, '64 and '65", "Puerto Rican Day Parade 1965", "The Big News of 1964", "Ten Years:'....with all deliberate speed.'", "Herbert Lehman: The Making of a Hero", "The Deputy", "The Teacher: Honor Without Profit", "Blowup At Breezy Point", "#2 Columbus Circle: New Gallery In Town", "Action At Strycker's Bay". Network Specials: 11/22/63: half hour bio LBJ; 11/23/63: An Appreciation of JFK by Henry Steele Commager; 11/24/63: An Appreciation of JFK by James MacGregor Burns; 11/25/63: hour bio LBJ; remote producer National Republican and Democratic Conventions, 1964. 1952-62 CBS News Producer CBS Reports “Showdown In The Congo", "The Hot And Cold Wars of Allen Dulles", "Kast Germany: The Land Beyond The Wall", "Eisenhower On The Presidency, Parts 1, 2 and 3", "Crossroads Africa: Pilot For A Peace Corps". Associate Producer CBS Reports "The Beat Majority: Our Election Day Illusions", "The Case of the Boston Electra", "Iran: Brittle Ally", "Biography of a Missile". Producer Small World Special "The Small World of Leo Szilard". Associate Editor-Producer "Small World" series Reporter-Production Associate "See It Now" series Reporter-Writer "This Is New York" series WCBS Radio Desk Assistant-Junior Writer Network Radio News Mr. Jones has 3 children and lives in Scarsdale, New York. Released in cooperation with the Broadcasting and Film Commission, National Council of Churches, and the National Catholic Office for Radio and Television (NCORT) Produced by TRAFGO/ Television, Radio and Film Commission of The United Methodist Church, Harry C. Spencer, General Secretary,  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 42 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/2a2507157e9fb3b782ba180af1202405.pdf 91e3b8848371b751a905e487f5b9e962 Scripto Transcription A written representation of a document. A NATIONAL RADIO TELEPHONE CALL IN SHOW ON VITAL ISSUES 475 Riversi de Drive, Suite 420, New York, New York 10027 Telephone: 2121663-8900 Del Shie lds, Host for NIGHT CALL, will continue to serve as Executive Secretary of the National Association of Television and RRdio Announcers (NATRA), which has a membership o f 500 Bl ack broadcasters. For two years Mr. Shields has hosted a daily 4½ hour radio show on WLIB-FM, New York. The program combines interview and listener call-in. Shields was Director of Special Events, WDAS, Philadelphia 1963-1965 and Producer and Host of a daily 4½ hour record and interview show , 1959-1965. He s e rved a s Program Director for WEBB, Ba lt i more, 1955-1957. Mr. Shields' Television work includes Co-Producer and Host, "Del Shields Summer Showcase", WRCV-TV , Philadelphia, 1962 As sociate Pro ducer and talen t, "Who Speak s for Negro". WCAU-TV, Philadelphia, 1962 Producer, Writer a nd Host, "Taste of J azz " , WCAU-TV, Ph iladelph i a 1957 -1962. As Execut i v e Secretary of NATRA, Mr . Shields de ve lopes programs t o increase responsibj.lit y sta ndards of et hni c a ppeal stations. He represe nts NATRA on t he President's Council o n Youth Oppo rtuni.ty, the NAACP Pupil I n centi v e Program a nd Gov. Rockefeller's Committee on Minority Employment Opportunities in News Media. Mr. Shields has five chil dren and lives in Philadelphia. Released in cooperation with the Broadcasting and Film Commission, National Council of Churches, and the Nation al Catholic Office for Radio and Television (NCORT) Prod uced by TRAFCOITelevi sio n, Radio and Fil m Commission of Th e Un ited Meth odist Church, Harry C. Spencer, General Secreta ry, � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document i Lith A NATIONAL RADIO opal... CALL IN SHOW ON VITAL ISSUES NELSON PRICE, Executive Producer BEN LOGAN, Producer 475 Riverside Drive, Suite 420, New York, New York 10027 Telephone: 212/663-8900 EDWARD M. JONES, Director of Programming DEL SHIELDS, Host Del Shields, Host for NIGHT CALL, will continue to serve as Executive Secretary of the National Association of Television and Redio Announcers (NATRA), which has a membership of 500 Black broadcasters. For two years Mr. Shields has hosted a daily 43 hour radio show on WLIB-FM, New York. The program combines interview and listener call-in. Shields was Director of Special Events, WDAS, Philadelphia 1963-1965 and Producer and Host of a daily 44 hour record and interview show, 1959-1965. He served as Program Director for WEBB, Baltimore, 1955-1957. Mr. Shields' Television work includes Co-Producer and Host, "Del Shields Summer Showcase", WRCV-TV, Philadelphia, 1962 Associate Producer and talent, "Who Speaks for Negro". WCAU-TV, Philadelphia, 1962 Producer, Writer and Host, "Taste of Jazz", WCAU-TV, Philadelphia 1957-1962. As Executive Secretary of NATRA, Mr. Shields developes programs to increase responsibility standards of ethnic appeal stations. He represents NATRA on the President's Council on Youth Opportunity, the NAACP Pupil Incentive Program and Gov. Rockefeller's Committee on Minority Employment Opportunities in News Media. Mr. Shields has five children and lives in Philadelphia. Released in cooperation with the Broadcasting and Film Commission, National Council of Churches, and the National Catholic Office for Radio and Television (NCORT) Produced by TRAFCO/ Television, Radio and Film Commission of The United Methodist Church, Harry C. Spencer, General Secretary,  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 43 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969 https://ivanallen.iac.gatech.edu/mayoral-records/traditional/files/original/46772e615fa0153230826318deef7bff.pdf 376564689d8f5f969b4cfb1926321e86 Scripto Transcription A written representation of a document. l Host Del Shields of NIGHT CALL, the nation-wide call-in show on vital issues hea r d each week night at 11 :30 Eastern Time . � Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document the nation-wide call-in show on vital issues heard each week night at II:30 Eastern Time.  Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Box 7, Folder 11, Document 44 Box 7 Box 7 Folder 11 Folder topic: Urban Coalition | Miscellaneous | 1969